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Ebook 33 Minutes by Todd Hasak-Lowy read! Book Title: 33 Minutes
Date of issue: January 1st 2013
ISBN: No data
ISBN 13: No data
The author of the book: Todd Hasak-Lowy
Language: English
Format files: PDF
The size of the: 685 KB
Edition: Aladdin

Read full description of the books 33 Minutes:

This school-based boy friendship story is “funny, fast-paced, and quite poignant” (R. J. Palacio, author of Wonder).

Sam Lewis is going to get his butt kicked in exactly thirty-three minutes. He knows this because yesterday his former best friend Morgan Sturtz told him, to his face and with three witnesses nearby, “I am totally going to kick your butt tomorrow at recess.”

All that’s standing between Sam and this unfortunate butt-kicking is the last few minutes of social studies and his lunch period. But how did Sam and Morgan end up here? How did this happen just a few months after TAMADE (The Absolutely Most Amazing Day Ever), when they became the greatest Alien Wars video game team in the history of great Alien Wars teams? And once the clock ticks down, will Morgan actually act on his threat?

Told with equal parts laugh-out-loud humor and achingly real emotional truth, 33 Minutes shows how even the best of friendships can change forever.

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Ebook 33 Minutes read Online! VERY SHORT BIO:

My name is Todd, and I’ve been writing books for about fifteen years. I started writing books for adults, but now I write books for kids and teenagers, too. My most recent book is a middle-grade novel called 33 MINUTES. I’ve also published a short story collection THE TASK OF THIS TRANSLATOR and the novel CAPTIVES. In addition to writing fiction, I teach creative writing. I live in Evanston, Illinois (just outside Chicago), with my wife, two daughters, a dog, and two cats.


I was born in Detroit and raised in its suburbs. I’m the second of three brothers. All of us were born in May. Other than my immediate family, the most important part of my childhood was going to Camp Tavor in Three Rivers, Michigan. Tavor is part of a Labor-Zionist youth movement called Habonim-Dror. After high school I spent a year in Israel living on a kibbutz (sort of a collective farm). I worked in irrigation.

I attended the University of Michigan as an undergrad. I majored in Near Eastern and North African Studies. I knew by around age 20 that I wanted to become a professor, and I knew that I wanted to study Israel and the Middle East. But it took me a while to decide which field or discipline I wanted to pursue.

I wound up settling on Comparative Literature. I attended the University of California, Berkeley for graduate school, where I started in 1994. There I studied Hebrew and Arabic literature, though by the time I was writing my dissertation I was only working on Hebrew literature. The weird thing about being at Berkeley, especially at first, was that I really had no idea how to study literature. My major at Michigan had been interdisciplinary, with an emphasis on history. I had always loved reading novels, but had never done so with much systematic instruction. Suddenly I was attending arguably the top school for studying literature in the world, and I was lost. My first few semesters at Berkeley, were, needless to say, difficult.

But when I started making sense of fiction (and narrative in general), the payoff was huge. I still remember, sitting in my younger brother’s apartment (both my brothers moved to San Francisco around the time I moved to Berkeley), reading some comic or graphic novel that was clearly in the tradition of R. Crumb or Harvey Pekar. I was amazed how the author was able to represent an entire imagined world, and that this world was utterly specific and alive, and that the author was creating all this through some remarkable combination of decisions, techniques, ideas, etc.

I guess that may have been an epiphany of sorts. It was definitely, for me, a before and after moment. I suddenly realized in some way, Oh, this [this=writing stories] is really interesting, and somehow no longer 100% mysterious, and so maybe I could do it. I had always had a creative impulse (one that largely manifested itself from a young age with my behaving like a clown), but I never had a form or a medium to work in. Now I sensed I may have found one. I started writing a few months later, with the help of two novels (Nicholson Baker’s The Mezzanine and Yaakov Shabtai’s Past Continuous). These two works, each in its own way, offered me very particular models for forging my own prose. My voice as a writer, such as it is, came out almost fully formed right away. Sometimes you get lucky.

During the second half of graduate school (graduate school lasted a LONG time, eight years), I worked on my dissertation and—when I had both time and inspiration—wrote short stories on the side. In other words, most of the time I wasn’t writing fiction. I was fortunate to be put in touch with Simon Lipskar, who agreed to become my agent after seeing a few of my early stories. He helped me slowly put together a collection.

In 2002, I relocated with my wife and daughter to Gainesville, Florida, because I got a job teaching Hebrew language and literature

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