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Ebook In a German Pension by Katherine Mansfield read! Book Title: In a German Pension
Date of issue: June 1st 1999
ISBN: 0140188754
ISBN 13: 9780140188752
The author of the book: Katherine Mansfield
Language: English
Format files: PDF
The size of the: 9.88 MB
Edition: Penguin UK

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In a German Pension is a remarkable collection of short stories, displaying all Katherine Mansfield’s skill in the genre. Foreword by Linda Grant.

Written shortly after the author visited Germany as a young woman, these short stories form a series of satirical sketches of German characters. From a young wife’s preoccupation with her husband’s stomach, to a society lady’s inability to see beyond the latest fashion, Katherine Mansfield depicts, in exquisite detail, the minute changes of human behavior. In a German Pension reveals her as a true disciple of Chekhov. A key figure in the Modernist movement, Katherine Mansfield (1888–1923) is most remarkable for perfecting the art of the short story.



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Ebook In a German Pension read Online! Kathleen Mansfield Murry was a prominent New Zealand modernist writer of short fiction who wrote under the pen name of Katherine Mansfield.

Katherine Mansfield is widely considered one of the best short story writers of her period. A number of her works, including "Miss Brill", "Prelude", "The Garden Party", "The Doll's House", and later works such as "The Fly", are frequently collected in short story anthologies. Mansfield also proved ahead of her time in her adoration of Russian playwright and short story writer Anton Chekhov, and incorporated some of his themes and techniques into her writing.

Katherine Mansfield was part of a "new dawn" in English literature with T S Elliot, James Joyce and Virginia Woolf. She was associated with the brilliant group of writers who made the London of the period the centre of the literary world.

Nevertheless, Mansfield was a New Zealand writer - she could not have written as she did had she not gone to live in England and France, but she could not have done her best work if she had not had firm roots in her native land. She used her memories in her writing from the beginning, people, the places, even the colloquial speech of the country form the fabric of much of her best work.

Mansfield's stories were the first of significance in English to be written without a conventional plot. Supplanting the strictly structured plots of her predecessors in the genre (Edgar Allan Poe, Rudyard Kipling, H. G. Wells), Mansfield concentrated on one moment, a crisis or a turning point, rather than on a sequence of events. The plot is secondary to mood and characters. The stories are innovative in many other ways. They feature simple things - a doll's house or a charwoman. Her imagery, frequently from nature, flowers, wind and colours, set the scene with which readers can identify easily.

Themes too are universal: human isolation, the questioning of traditional roles of men and women in society, the conflict between love and disillusionment, idealism and reality, beauty and ugliness, joy and suffering and the inevitabilty of these paradoxes. Oblique narration (influenced by Chekhov but certainly developed by Mansfield) includes the use of symbolism - the doll's house lamp, the fly, the pear tree - hinting at the hidden layers of meaning. Suggestion and implication replace direct detail.




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