Read Убити пересмішника by Harper Lee Free Online
Book Title: Убити пересмішника|
Date of issue: 1975
ISBN: No data
ISBN 13: No data
The author of the book: Harper Lee
Format files: PDF
The size of the: 368 KB
Edition: ЦК ЛКСМУ "Молодь"
Read full description of the books Убити пересмішника:If I could give this no stars, I would. This is possibly one of my least favorite books in the world, one that I would happily take off of shelves and stow in dark corners where no one would ever have to read it again.
I think that To Kill A Mockingbird has such a prominent place in (American) culture because it is a naive, idealistic piece of writing in which naivete and idealism are ultimately rewarded. It's a saccharine, rose-tinted eulogy for the nineteen thirties from an orator who comes not to bury, but to praise. Written in the late fifties, TKAM is free of the social changes and conventions that people at the time were (and are, to some extent) still grating at. The primary dividing line in TKAM is not one of race, but is rather one of good people versus bad people -- something that, of course, Atticus and the children can discern effortlessly.
The characters are one dimensional. Calpurnia is the Negro who knows her place and loves the children; Atticus is a good father, wise and patient; Tom Robinson is the innocent wronged; Boo is the kind eccentric; Jem is the little boy who grows up; Scout is the precocious, knowledgable child. They have no identity outside of these roles. The children have no guile, no shrewdness--there is none of the delightfully subversive slyness that real children have, the sneakiness that will ultimately allow them to grow up. Jem and Scout will be children forever, existing in a world of black and white in which lacking knowledge allows people to see the truth in all of its simple, nuanceless glory.
I think that's why people find it soothing: TKAM privileges, celebrates, even, the child's point of view. Other YA classics--Huckleberry Finn; Catcher in the Rye; A Wrinkle in Time; The Day No Pigs Would Die; Are You There, God? It's Me, Margaret; Bridge to Terabithia--feature protagonists who are, if not actively fighting to become adults, at least fighting to find themselves as people. There is an active struggle throughout each of those books to make sense of the world, to define the world as something larger than oneself, as something that the protagonist can somehow be a part of. To Kill A Mockingbird has no struggle to become part of the world--in it, the children *are* the world, and everything else is just only relevant in as much as it affects them. There's no struggle to make sense of things, because to them, it already makes sense; there's no struggle to be a part of something, because they're already a part of everything. There's no sense of maturation--their world changes, but it leaves them, in many ways, unchanged, and because of that, it fails as a story for me. The whole point of a coming of age story--which is what TKAM is generally billed as--is that the characters come of age, or at least mature in some fashion, and it just doesn't happen.
All thematic issues aside, I think that the writing is very, er, uneven, shall we say? Overwhelmingly episodic, not terribly consistent, and largely as dimensionless as the characters.
Read information about the authorHarper Lee, known as Nelle, was born in the Alabama town of Monroeville, the youngest of four children of Amasa Coleman Lee and Frances Cunningham Finch Lee. Her father, a former newspaper editor and proprietor, was a lawyer who served on the state legislature from 1926 to 1938. As a child, Lee was a tomboy and a precocious reader, and enjoyed the friendship of her schoolmate and neighbor, the young Truman Capote.
After graduating from high school in Monroeville, Lee enrolled at the all-female Huntingdon College in Montgomery (1944-45), and then pursued a law degree at the University of Alabama (1945-50), pledging the Chi Omega sorority. While there, she wrote for several student publications and spent a year as editor of the campus humor magazine, "Ramma-Jamma". Though she did not complete the law degree, she studied for a summer in Oxford, England, before moving to New York in 1950, where she worked as a reservation clerk with Eastern Air Lines and BOAC.
Lee continued as a reservation clerk until the late 50s, when she devoted herself to writing. She lived a frugal life, traveling between her cold-water-only apartment in New York to her family home in Alabama to care for her father.
Having written several long stories, Harper Lee located an agent in November 1956. The following month at the East 50th townhouse of her friends Michael Brown and Joy Williams Brown, she received a gift of a year's wages with a note: "You have one year off from your job to write whatever you please. Merry Christmas."
Within a year, she had a first draft. Working with J. B. Lippincott & Co. editor Tay Hohoff, she completed To Kill a Mockingbird in the summer of 1959. Published July 11, 1960, the novel was an immediate bestseller and won great critical acclaim, including the Pulitzer Prize for Fiction in 1961. It remains a bestseller with more than 30 million copies in print. In 1999, it was voted "Best Novel of the Century" in a poll by the Library Journal.
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