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Ebook New Zealand Stories by Katherine Mansfield read! Book Title: New Zealand Stories
Date of issue: 1998
ISBN: No data
ISBN 13: No data
The author of the book: Katherine Mansfield
Language: English
Format files: PDF
The size of the: 12.34 MB
Edition: Oxford University Press New Zealand

Read full description of the books New Zealand Stories:

Katherine Mansfield is New Zealand's most celebrated writer, and one of the key figures in the history of the short story in English. Yet in this book the stories set in her own country have been collected and published in the order in which she wrote them for the first time. The Mansfield who emerges from this fresh perspective is both familiar and unexpected. This collection confirms the detailed reality of her New Zealand, both its backblocks and its marginality, as well as the subtle family exchanges of the famous Wellington narratives. Reading these stories in sequence and as a group brings into focus the sharp political dimension of Mansfield's fiction as well as the emphases that fall so differently from those in her English and European stories. In this volume Mansfield is seen with new clarity as a colonial writer at the same time as she extends the boundaries of what modern short fiction could achieve.

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Ebook New Zealand Stories read Online! Kathleen Mansfield Murry was a prominent New Zealand modernist writer of short fiction who wrote under the pen name of Katherine Mansfield.

Katherine Mansfield is widely considered one of the best short story writers of her period. A number of her works, including "Miss Brill", "Prelude", "The Garden Party", "The Doll's House", and later works such as "The Fly", are frequently collected in short story anthologies. Mansfield also proved ahead of her time in her adoration of Russian playwright and short story writer Anton Chekhov, and incorporated some of his themes and techniques into her writing.

Katherine Mansfield was part of a "new dawn" in English literature with T S Elliot, James Joyce and Virginia Woolf. She was associated with the brilliant group of writers who made the London of the period the centre of the literary world.

Nevertheless, Mansfield was a New Zealand writer - she could not have written as she did had she not gone to live in England and France, but she could not have done her best work if she had not had firm roots in her native land. She used her memories in her writing from the beginning, people, the places, even the colloquial speech of the country form the fabric of much of her best work.

Mansfield's stories were the first of significance in English to be written without a conventional plot. Supplanting the strictly structured plots of her predecessors in the genre (Edgar Allan Poe, Rudyard Kipling, H. G. Wells), Mansfield concentrated on one moment, a crisis or a turning point, rather than on a sequence of events. The plot is secondary to mood and characters. The stories are innovative in many other ways. They feature simple things - a doll's house or a charwoman. Her imagery, frequently from nature, flowers, wind and colours, set the scene with which readers can identify easily.

Themes too are universal: human isolation, the questioning of traditional roles of men and women in society, the conflict between love and disillusionment, idealism and reality, beauty and ugliness, joy and suffering and the inevitabilty of these paradoxes. Oblique narration (influenced by Chekhov but certainly developed by Mansfield) includes the use of symbolism - the doll's house lamp, the fly, the pear tree - hinting at the hidden layers of meaning. Suggestion and implication replace direct detail.




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