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Ebook Rossetti: Poems (Everyman's Library Pocket Poets) by Christina Rossetti read! Book Title: Rossetti: Poems (Everyman's Library Pocket Poets)
Date of issue: November 2nd 1993
ISBN: 0679429085
ISBN 13: 9780679429081
The author of the book: Christina Rossetti
Language: English
Format files: PDF
The size of the: 31.53 MB
Edition: Everyman's Library

Read full description of the books Rossetti: Poems (Everyman's Library Pocket Poets):

This little volume of Christina Rossetti's poetry is simply sublime! While it is not a complete collection of her beautiful poetry, it does contain some examples of her finest work. Of course it contains the thought-provoking epic poem, "Goblin Market." Some of my other personal favorites include: "An Echo from Willowwood," "Song," "After Death," "The Ghost's Petition;" and one of her very best, in my opinion, "The Convent Threshold."

Christina Rossetti was the younger sister of the talented Pre-Raphaelite painter and poet, Dante Gabriel Rossetti. In comparing their poetry though, it is my learned opinion that Christina was far-and-away the master. In fact, of all the great Victorian Era poets, I think a case can be made that she was only equaled by some of the poetic works of Tennyson, the Brownings, and Dickinson in America . I highly recommend this volume of Christina Rossetti's poetry. You will find yourself returning to it time and again.

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Ebook Rossetti: Poems (Everyman's Library Pocket Poets) read Online! Christina Georgina Rossetti, one of the most important women poets writing in nineteenth-century England, was born in London December 5, 1830, to Gabriele and Frances (Polidori) Rossetti. Although her fundamentally religious temperament was closer to her mother's, this youngest member of a remarkable family of poets, artists, and critics inherited many of her artistic tendencies from her father.

Judging from somewhat idealized sketches made by her brother Dante, Christina as a teenager seems to have been quite attractive if not beautiful. In 1848 she became engaged to James Collinson, one of the minor Pre-Raphaelite brethren, but the engagement ended after he reverted to Roman Catholicism.

When Professor Rossetti's failing health and eyesight forced him into retirement in 1853, Christina and her mother attempted to support the family by starting a day school, but had to give it up after a year or so. Thereafter she led a very retiring life, interrupted by a recurring illness which was sometimes diagnosed as angina and sometimes tuberculosis. From the early '60s on she was in love with Charles Cayley, but according to her brother William, refused to marry him because "she enquired into his creed and found he was not a Christian." Milk-and-water Anglicanism was not to her taste. Lona Mosk Packer argues that her poems conceal a love for the painter William Bell Scott, but there is no other evidence for this theory, and the most respected scholar of the Pre-Raphaelite movement disputes the dates on which Packer thinks some of the more revealing poems were written.

All three Rossetti women, at first devout members of the evangelical branch of the Church of England, were drawn toward the Tractarians in the 1840s. They nevertheless retained their evangelical seriousness: Maria eventually became an Anglican nun, and Christina's religious scruples remind one of Dorothea Brooke in George Eliot's Middlemarch : as Eliot's heroine looked forward to giving up riding because she enjoyed it so much, so Christina gave up chess because she found she enjoyed winning; pasted paper strips over the antireligious parts of Swinburne's Atalanta in Calydon (which allowed her to enjoy the poem very much); objected to nudity in painting, especially if the artist was a woman; and refused even to go see Wagner's Parsifal, because it celebrated a pagan mythology.

After rejecting Cayley in 1866, according one biographer, Christina (like many Victorian spinsters) lived vicariously in the lives of other people. Although pretty much a stay-at-home, her circle included her brothers' friends, like Whistler, Swinburne, F.M. Brown, and Charles Dodgson (Lewis Carroll). She continued to write and in the 1870s to work for the Society for Promoting Christian Knowledge. She was troubled physically by neuralgia and emotionally by Dante's breakdown in 1872. The last 12 years of her life, after his death in 1882, were quiet ones. She died of cancer December 29, 1894.





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